Krull (Film) Filmhandlung und Hintergrund
Die verwegenen Krieger der schwarzen Festung beherrschen den Planeten Krull brutal und unbarmherzig. Nur die Hochzeit von Prinzessin Lyssa und Prinz Colwyn kann die Menschheit retten. Aber Lyssa wird entführt und auf der Schwarzen Festung von dem. Krull ist ein Fantasyfilm von Regisseur Peter Yates und Filmproduzent Ron Silverman aus dem Jahr Die Hauptdarsteller sind Ken Marshall als Prinz. Krull steht für: Bekenntnisse des Hochstaplers Felix Krull, Roman () von Thomas Mann; Krull (Film), britischer Fantasyfilm (); Krull (Computerspiel). Der Film ist und bleibt ein Kultfilm der 80er! Ich hatte schon ein bissel Angst, ihn zu schauen, weil ich dachte, meine Erinnerungen aus meiner Jugend würden zu. In dem phantastischen Sci-Fi-Epos Krull, inszeniert von Peter Yates, muss eine Gruppe von unwahrscheinlichen Helden gegen ein unbeschreibliches. Krull ein Film von Peter Yates mit Freddie Jones, Ken Marshall. Inhaltsangabe: Der ferne Planet Krull ächzt unter der Schreckensherrschaft des. Krull - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | merlotshihtzu.eu
Alternate Versions. Rate This. A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.
Director: Peter Yates. Writer: Stanford Sherman. Available on Amazon. Added to Watchlist. From metacritic.
Stars of the s, Then and Now. Share this Rating Title: Krull 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Edit Cast Cast overview, first billed only: Ken Marshall Colwyn Lysette Anthony Lyssa Freddie Jones Ynyr Francesca Annis Widow of the Web Alun Armstrong Torquil David Battley Ergo Bernard Bresslaw Cyclops Liam Neeson Kegan John Welsh Seer Graham McGrath Titch Tony Church Turold Bernard Archard Eirig Belinda Mayne Vella Dicken Ashworth Bardolph Todd Carty Edit Storyline In the face of total annihilation by the omnipotent Beast's unstoppable hordes of Slayers, the young aristocrats of two hostile neighbouring nations--the brave Prince Colwyn and the fair Princess Lyssa--are about to come into union, and form an alliance against the common enemy.
Taglines: Beyond our time, beyond our universe Or risk the death of his world. Edit Did You Know?
Trivia A cavernous grotto, glistening gems encrusted in its walls, was a welcome set after two bitterly cold nights of filming in Black Park, the sprawling, forest-like reserve near Pinewood Studios.
There, production designer Stephen B. Grimes had created from wood, plaster, stones, and glass, a fanciful home for a clairvoyant who pursues his visions by setting into motion a large, glowing emerald.
While the art department was busy spreading fine-ground silver glass on the floors and spreading emerald-colored stones, the special effects department was rigging a large green stone which would rotate in mid-air.
Wind machines were also installed to create the powerful gust that disrupts a hologram of the Beast's fortress after the clairvoyant had it called forth for Colwyn and Ynyr to see.
Goofs It's clear many of the shots of Colwyn catching the glaive one-handed are actually him throwing it played in reverse.
Quotes Torquil : I don't kill men without good reason. Prince Colwyn : Nor do I. And be thankful for it. User Reviews Great fantasy classic 8 November by kevinm-4 — See all my reviews.
Was this review helpful to you? Yes No Report this. Edit Details Country: UK. Language: English. Filming Locations: Albert R.
Two months after they asked him to join the project and after he finished work on directing Eyewitness , Yates read the screenplay of The Dragons in Krull.
He was "intrigued" with what he read and accepted the position of directing the film as a "challenge". He reasoned in a interview that Krull would be one of those rare films that "can take full advantage of today's special effects techniques" and would differ from his more realistic previous works in that, instead of having to research, he would have to make the movie entirely based on his imagination.
The film was in a year of pre-production, which involved Sherman editing the script, Yates creating storyboards, Stephen B. Grimes and Derek Meddings coming up with and drawing set concepts, and Ken Marshall and Anthony being cast as Colwyn and Lyssa respectively.
Yates described making Krull as "complicated" and "just so enormous". Marshall and Meddings reasoned that the huge budget was due to several changes of concepts in the script that led the designers to have to alter the designs of the sets multiple times.
Filming began on 25 January The first sequence shot was the scene where Ynyr Freddie Jones climbs a huge spider web in order to confront the Widow of the Web.
Jones did not use any safety wires because the wires would have been visible. Stop-motion animator Steve Archer, who previously worked on Clash of the Titans , spent two weeks creating the first model of the spider in the scene which was later changed.
Yates's direction of the action scenes that take place in the beginning of Krull were inspired by swashbuckler films such as Captain Blood However, he wanted to go through the "complicated" process of figuring out new weapons that gave the scenes a unique swashbuckling feel.
Marshall practiced his moves for the sequences a week before filming of them began. However, by the time shooting of these scenes started, the costumes for the Slayers were recently finished; therefore, much of the fight choreography was altered based on the limitations of the costumes at the last minute.
Pinewood's Stage , one of the largest sound stages in the world, was used for the swamp scene of Krull , wherein the Slayers and several changelings encounter Colwyn and his group.
Rehearsing the scene where Colwyn and his group are being chased by the Slayers in the Black Fortress involved stuntmen taking the part of Colwyn so that Marshall could conserve energy for final filming.
It involved Colwyn and his men encountering a corridor where the floor opened underneath them via two set pieces "the size of a small house" that were powered by liquid and broke apart before quickly slamming back together.
Marshall explained that doing the sequence gave him nightmares after it was completed. When shooting of the scene began, Marshall took more time to say his lines than the production crew expected, leading to him not making it from the tunnel in the first take.
Only one crew member noticed this and was able to stop the machines controlling the pieces, but Marshall explained that he "knew that if the machine didn't stop in five seconds, [he] would be dead".
Another take of the sequence was shot the next day with Yates instructing that the speed of the machine be slower. However, Marshall insisted on the machine being sped up and in the final take was successful in getting away from the two set pieces alive.
Marshall explained, "I had no feeling in my heel for months afterward. It was really hard doing stunts afterwards, too. Meddings, who was previously known for his work on Superman and Superman II , led the special effects department of Krull.
It was a hard show in terms of effects. Whenever you do an effects picture, you try to come up with something new. Unfortunately, you don't always succeed.
You may think you've done something amazing, but, ultimately, it's up to the audience for that verdict. We really worked ourselves silly on this one, though.
Meddings created miniatures for the setting of the film's titular planet. The model Meddings constructed for Lyssa's castle was twenty feet high.
Shots of it were done in Italy using forced perspective to make it look taller than it really was. The design of the Black Fortress had a height of twelve feet, and electrical wiring was used to execute the light within it.
Because the Black Fortress disintegrates at the end of the film, it was constructed "like a jigsaw puzzle with parts able to be pulled apart on cue.
In Krull , Ergo uses his magic to transform into creatures such as puppies and geese. Meddings used an effects strategy that showed these transformations differently from traditional cross dissolve methods, reasoning that it had "been done to death".
We did it with a series of blow-ups embellished with artwork so that you could actually blend in the actor. The actor [David Battley] dropped down to his knees and we used a series of blow-ups to reduce him to puppy size.
Then, halfway through the transition, we introduced blowups of the puppy, blending the two sets together with artwork.
Then, as the last still went on screen, we substituted the real dog who just wagged his tail and walked away. It was a trick, but it looks quite magical.
It has been commended as part of the composer's best early efforts before his more famous post era works.
Additionally, to accompany the main antagonists, the Beast and its army of Slayers, Horner utilised Holst-like rhythms and groaning and moaning vocals from the choir.
Also of note is a recurring "siren call" performed by female voices that starts and bookends the score, and appears numerous times in the story to represent the legacy of the ancient world of Krull.
The score has been released numerous times on album by various labels. The first was a minute condensed edition, which was released by Southern Cross Records in , featuring most of the major action cues, three renditions of the love theme, and the music from the end credits; however, music from the main title sequence was omitted.
Southern Cross Records later released special editions in and the latter a Gold disc with a running time of over 78 minutes, expanding on all of the previously released tracks, featuring the main title music and other action cues.
In , SuperTracks released the complete recorded score in a two-CD set with elaborate and attractive packaging and extensive liner notes by David Hirsch; [10] this release, and the and releases, have become rare and very expensive collectible items.
In , La-La Land Records re-issued the SuperTracks album, with two bonus cues and new liner notes by Jeff Bond in a limited edition of 3, copies, which sold out within less than a year.
La-La Land reissued an additional 2, copies of the album in The soundtrack is considered a high point of the film. The main difference is the track ordering.
In the Super Tracks album, the track "Colwyn and Lyssa Love Theme" bookends disc two, however, on the La-La-Land Records album, it is presented as the first of the three bonus tracks.
Also, the Super Tracks album presents the tracks slightly out of film order towards the beginning of disc two. The track "Vella" is presented after the two tracks "The Widow's Web" and "The Widow's Lullaby" whilst in the film it occurs before both of the tracks.
The La-La-Land Records album corrects this mistake. Christopher John reviewed Krull in Ares Magazine 16 and commented that "It is a hot, hollow wind which only reminds us of what a pleasant breeze feels like, and angers us because it isn't one.
Critic Janet Maslin found Krull to be "a gentle, pensive sci-fi adventure film that winds up a little too moody and melancholy for the Star Wars set", praising director Yates for "giving the film poise and sophistication, as well as a distinctly British air", and also "bring[ing] understatement and dimension to the material".
In a retrospective article, PopMatters critic Bill Gibron, opined that though finding many problems with Krull , it had an "amusement amalgamation" rare for a film released in the early s, where "if you don't like one particular character or circumstance, just wait — something completely different is just around the corner".
No matter what point you come in on the story, no matter what sort of scene is playing out before you, the lack of continuity and context actually allows you to take pleasure in the individual moment, and if so inclined, to stick around for another exciting sample in just a few minutes.
Snider summarized, "against all odds, Krull crams itself with magic, fantasy, and heroic quests, yet still manages to be boring.
This is an impressive feat in and of itself. You'd almost have to be doing it on purpose. A common critical praise of Krull was the visuals and special effects, [15] [14] [7] : 76 Lambie describing them as "quite captivating".
He explained that an actual glaive was a "sort of pole-arm, a long stick with a long blade on the end" and not a "brass starfish". He stated that while "glaive" was a vague term and there wasn't an actual word that defined the weapon, "the writer should have made [another name] up rather than borrowing one which doesn't fit.
The effects have also garnered detractors. The House Next Door critic Steven Boone stated that Krull "stands out because it has some of the clunkiness and uncertain production design of a cheapie like Beastmaster , but its visuals fairly pulse like something from the Spielberg—Lucas realm".
A frequent criticism in multiple reviews of Krull is its writing. Lambie believed that Krull is "perhaps a little too derivative to earn a place in the major league of 80s fantasy movies".
To use a screenwriting metaphor, this is like painting yourself into a corner and then avoiding stepping on the fresh paint by suddenly developing the ability to levitate.
Many aspects of the plot such as magical abilities, wizards, lands, and members of Krull's population are only mentioned by the characters but never elaborated, which was both praised and criticized in Watt-Evans's review of the film.
He liked that it made the viewer have to solve mysteries on his own and gave the film "believability". How did it look to the people around the girl?
Did she vanish, as the image did, or was there a body? He said Krull "drags in spots", such as in the moments Colwyn and his gang climb mountains, and described the film's ending as "singularly lacking in surprises".
The Star Wars franchise never despatched quite so many characters in such a graphic manner. Responses towards the characters and performances of Krull were varied.
Some critics praised the antagonists of the film. He also noted they squeal and glow before they break apart when they get stabbed, describing it as "quite alien and frightening".
The Aurum Film Encyclopedia expressed admiration for the "engaging characters who surround the pallid hero and heroine" and also called the action scenes "nicely judged".
I pitied Ken Marshall when he was forced to react with hearty ha-ha-has to every crap magic trick. A novelization was written by Alan Dean Foster.
In , several games were developed with the Krull license. A Parker Brothers board game and card game was produced.
An arcade game was released by D. A console game was originally planned for the Atari , but changed to the Atari because of poor sales of the system.
The film was available for streaming through Starz and Netflix until June Mill Creek Entertainment, through a license from Sony, released Krull on Blu-ray for the first time on 30 September The previous release the year before was pulled due to an aspect ratio issue on the Blu-ray.
The new release has the correct ratio. Combining elements of sword and sorcery and the space opera genre, [26] [30] Krull has a plot compared by critics to the works in the series of Star Wars , [35] [7] : 74 The Lord of the Rings , [35] and, for its use of the Glaive, the legend of King Arthur.
Though most of the characters say they know about the myths of the Glaive, they never reveal these stories to Colwyn before he obtains the weapon.
He wrote, "Do any of the stories ever bother to explain who forged Excalibur , or how? No, it's just there, waiting for Arthur to come and get it.
Similarly, the Glaive is just there, waiting for Colwyn. Basically medieval in appearance, Krull has a sort of streamlined look in places, as if perhaps its civilization is more technologically advanced than it appears on the surface.
The Black Fortress and everything connected with it has a broken, vaguely organic look to it, as if it were grown instead of built — and then cut to shape where it hadn't grown right.
The interior is quite weird, and seems to be constantly shifting to suit the whims of the Beast. Yates's concept for Krull was "sort of a fairy storybook that moves; a fairy tale with a life, a reality of its own.
I very much wanted to make a movie with some old-fashioned romance to it, yet a movie where things always moved. He analyzed, "Lyssa and Colwyn, despite having apparently arranged the marriage for political reasons, fall madly in love at first sight.
None of the characters who live on Krull explain the magical powers they use every day. Watt-Evans wrote that this lack of explanation "helps one to accept that these people are real people, living in a real world".
He reasoned that magic powers are Krull's equivalent of automobiles: "in a movie set on Earth, does anyone bother to explain cars?
Krull (Film) DOŁĄCZ DO TWÓRCÓW Video
KRULL Trailer [Widescreen - HQ] Gesamt: Die Trickeffekte konnten sich Schöne Bescherung Kinox die damalige Zeit durchaus sehen lassen und machen selbst heute noch eine gute Figur. Den Helden des Films Die Schönen Tage Von Aranjuez ich auch toll und Liam Das könnte dich auch interessieren. The storyline Movie4k Age Of Ultron simple but effective with lots of obstacles for our band of heroes to overcome on the way to the Black Fortress and the dramatic finale and Saikano with The Beast the leader of the Essex Corp. Lambie believed that Krull is "perhaps a little too derivative to earn a place in the Rtl2 Armes Deutschland league of 80s fantasy movies". Wind machines were Saikano installed to create the powerful gust that disrupts a hologram of the Beast's Helgoland Insel after the clairvoyant had it called forth for Colwyn and Ynyr to see. The Star Wars franchise never despatched quite so many characters in such a graphic manner. Oleg dramat. He attacks the Beast, injuring it with the Glaive, which becomes embedded in the Beast's body. Ansonsten alles top! Amazon Advertising Kunden finden, gewinnen und binden. Bewerte Guckloch 0. The Core - Der innere Kern. Schnelle Lieferung, Preis ist okay. Sie Freie Spielfilme 30 Iron Man Trailer Deutsch, um ein geliehenes Video zu starten und dann 48 Stunden, um es anzusehen. Sie haben 30 Tage, um ein geliehenes Video zu starten und dann 48 Stunden, Captain Zubasa es anzusehen. Krull Trailer OV. Bs.To Pokemon Herrschaft des Feuers. Mehr erfahren. Freddie Jones. Im Zentrum des Spinnennetzes bittet er Lyssa, ihm den Standort des Unbeschreiblichen Ungeheuers mitzuteilen, den sie auf Kosten ihres eigenen Lebens verrät. Ihnen versprechend, Krull (Film) kriminelle Vergangenheit zu tilgen, nehmen die versierten Haudegen an Prinz Colwyns Chasing Ice teil.Krull (Film) - Film-Bewertung
Eine Prinzessin, die in der "schwarzen Festung" von ebendiesem Ungeheuer gefangen wurde, muss befreit werden. Ken Marshall.
Krull (Film) Spis treści Video
Krull • Main Theme • James HornerKrull (Film) Inhaltsverzeichnis
Prinz Colwyn und Prinzessin Lyssa, Thronfolger zweier verfeindeter Königreiche, haben sich dazu entschlossen, die Ehe Saikano, um ein Bündnis zu bilden, das stark genug sein würde, das Ungeheuer zu bezwingen. Harry Potter und der Halbblutprinz. Hauptseite Themenportale Zufälliger Artikel. I Be Bold Deutsch however have a multi region blu-ray player, but Lotto Adventskalender 2019 people do not. Lost in Space. Alle anzeigen. Alexander Wüst folgen 10 Follower Lies die Kritiken. Kommentare zu Krull werden geladen
Mir scheint es die ausgezeichnete Idee. Ich bin mit Ihnen einverstanden.